7 jul 2026

TEATROSKOP Dialogues with Teodora Ezhovska · Chasing an Idea

For North Macedonian dance artist and choreographer Teodora Ezhovska, artistic creation begins with an idea that gradually unfolds through movement, music and experimentation. Her practice moves across dance, theatre, film and collaborative projects, embracing different artistic languages as a way of expanding perspective rather than defining boundaries. In this conversation, she speaks about the role of interdisciplinary work, the importance of cultural exchange, the creative process behind her performances, and the books and films that continue to inspire her. 

Your work often moves between dance, theatre, film and other artistic forms. What draws you to interdisciplinary collaboration, and how does working with artists from different fields influence the way you think about movement and choreography? 

For me, art is a way of expression. I believe you can learn from every discipline because each one has its own unique way of expressing an idea. It opens up so many different perspectives and ways of thinking. I think there is endless inspiration that you can draw from different mediums and points of view. 

Your work often explores the relationship between the body, space and emotion. When you begin creating a new piece, what usually comes first—movement, an image, a feeling, a question—and how do you develop it from there? 

This is very difficult to explain. For me, it always starts with the idea, and I become kind of obsessed with it because that is what drives me to explore it and bring it to life. I try to honor the idea and give it what it is asking for, whether that means starting with a different type of improvisation, surrounding myself with images that resonate with it, or exploring different creative approaches. Music is always a big part of my process. It helps me reach deeper into the creation. 

You have worked and presented your projects across different contexts in Southeast Europe and internationally. How do these exchanges and encounters shape your artistic language and your relationship to the audience? 

It is always refreshing to experience different artistic contexts in different countries. You get to understand the cultural environment in which art exists, how it is treated and valued, and how important it is to have a voice, no matter where it comes from. These kinds of exchanges definitely refresh the way I see and approach my artistic language. I am constantly inspired by the connections I make with people and places along the way. 

Is there a film, song, book or artwork that has recently stayed with you or inspired you in some way? 

I always come back to the book Women Who Run with the Wolves, which has been a source of inspiration for several of my ideas. And a film that truly opened something in me is In the Mood for Love.